Re: Anatase present in many Ancient artifacts as well
- From: "Alaca" <P.Alaca@xxxxxxx>
- Date: Mon, 18 Apr 2005 00:17:06 +0200
I.E_Johansson wrote: gwy8e.22105$d5.162724@xxxxxxxxxxxxxxx,
Feldspars (albite and microcline) are frequent in ceramic fragments with sand and feldspar tempers. Illite, hematite, maghemite, goethite, and anatase are found in low quantities for all ceramic fragment tempers. "
http://acta.inpa.gov.br/fasciulos_base/34-3/html/BODY/v34n3a04.html
By recording the Raman spectra in the range 100900 cm 1 of both natural (local) bauxite and a white coating, it was found that bauxite was used to make the white pigment for the Bancun pottery, while anatase was found to be the white pigment for the sherds. It is known that bauxite mineral consists mainly of aluminium hydroxide, but with small and variable amounts of silica, alumina silicate clays, iron oxides and titanium oxides. Bauxite exits in many varieties, but boehmite, AlO(OH), and diaspore, -AlO(OH), are the major constituents of Greek bauxite. "
http://www.blackwell-synergy.com/links/doi/10.1111/j.1475-4754.2004.00176.x/ full/
For information about anatase in Medieval(and earlier) ink please read the urls I sent the other week more carefully. One of the type of inks where anatase is present in Medieval ink falls under the category 'Chinese ink'. To which sometimes here in Europe coal from fireplaces was added together with animal fat - could be gelantin or lard.
Inger, Why are you starting a thread like this if you have noting to offer but anaqstase in pottery? The two links here and your quotes from them have nothing to do whith writing ink. The links you gave earlier (8 april 2005 8:53) are nothing new and nothing special. One Swedish about conservation. Please tell us what is "more than interesting for the present debate regarding VM and other medieval documents".Also the other four are nothing special. Only normal recipes for iron-gall inks. Where is the anatase in inks and where is your famous sand?
-- - Peter Alaca -
.
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