Re: The eternal female: Worship of the mother goddess
- From: grapheus <grapheus@xxxxxxx>
- Date: Thu, 12 Feb 2009 08:51:35 -0800 (PST)
On Feb 12, 2:28 pm, Jack Linthicum <jacklinthi...@xxxxxxxxxxxxx>
wrote:
Stonehenge, Crete, Thera, pretty much a tourist's tour of the Bronze
Age, and earlier, cultures that honored or featured women.
But the author has missed the revelations about the Phaistos Disk.
The eternal female: Worship of the mother goddess
Thursday, 12 February 2009
Some experts believe megalithic societies were matrilineal, with women
placed at the apex of the civilisation – not as rulers, but as birth-
givers. Perhaps a line can be traced from the Natufian women of
Lebanon, or even as far back as the 24,000-year-old Venus of
Willendorf . After all, women were the original seed-gatherers while
men went out to hunt. It was they who probably developed the most
intimate expertise in agriculture, using instinct and common sense to
select the best seeds for the next year's crops, unwittingly
instituting what we now call artificial selection.
The mother goddess took a variety of different forms. Sometimes she
was a snake, or a vulture, or the Moon. Each symbol represented a
cycle of death, birth and regeneration: the snake hibernates, then
wakes up and sheds her skin; the vulture recycles dead flesh by eating
it; and the Moon dies and is reborn every 28 days, mirroring the
feminine menstrual cycle.
Moon worship was very highly advanced in megalithic times. It has
recently been recognised that temples such as Stonehenge were
originally built to glorify the Moon as well as the Sun. Every month,
shafts of moonlight line up perfectly with gaps in the massive stones,
the architects having positioned them precisely to accommodate the
subtly shifting patterns of the Moon's rising and setting cycles, that
repeat themselves exactly every 18.6 years. The full moon has had
historic and religious significance going back thousands of years,
since it was by the light of the full moon that many hunter-gathering
tribes hunted, providing the best opportunities for a good catch.
Matriarch island: The enigmatic civilisation of Minoan Crete
Europe's mother goddess culture grew to its climax on the
Mediterranean island of Crete in the second millennium BC. Here it
also survived longest. Crete thrived on trade routes that linked the
Mediterranean with the rest of megalithic Europe and North Africa. The
flowering of the island's Minoan civilisation coincided with the
growth of the Indus Valley civilisation, from c3300 to 1700 BCE.
Homer, a Greek poet who wrote in the eighth century BCE, claimed there
were as many as 90 cities on Crete, and archaeologists have found a
number of "palaces", including the largest of all at the island's
capital, Knossos.
The discovery of this ancient island civilisation was chiefly the work
of Sir Arthur Evans, an eccentric but meticulous Victorian
archaeologist. As soon as he set foot on Crete in 1894, Evans
rigorously pursued the mystery of the mythical King Minos, who, legend
has it, ruled from a fabulous palace at Knossos which housed an
appalling monster, the minotaur. Half-man, half-bull, this beast lived
in an impenetrable maze and feasted off the flesh of still-living
virgins.
Minoan Crete was like a heart pumping at the centre of the Bronze Age
trading system. Its trade links stretched as far as Mesopotamia in the
east, to Spain in the west. Tin and copper were imported and exported
for smelting into bronze, while luxury crops such as bright yellow
saffron were grown in the island's fields and exported as flavouring
for food.
Evans discovered that the people of ancient Crete followed the
megalithic tradition. Women and men had equal rights. Wall paintings
from the palaces of Knossos and Phaistos show that women were able to
express themselves freely. They are depicted as bare-breasted, wearing
short-sleeved shirts open to the navel and long, flowing, layered
skirts.
Statues, vases and wall paintings show images of sporting contests
where women competed equally alongside men. The island's favourite
sport was the impossible-sounding bull-vaulting. An acrobat (sometimes
female) would grab the horns of a bull and somersault on to its back.
Then, in a second somersault, she would leap off its back and land
upright, with her feet back on the ground. No wonder Minoan women were
the first people known to have worn fitted garments and bodices –
essential prerequisites, you would think, for a sport like this.
Women did not dominate society, but they did oversee it. Frescoes at
the palace of Thera, on the island of Santorini, 100km north of Crete,
show women standing on balconies overseeing processions of young men
who are carrying an animal for sacrifice. Most priests on Minoan Crete
were female. In Minoan law, women retained full control of their
property. They even had the right to divorce at pleasure. It was a
tradition, too, that a mother's brother was responsible for bringing
up her children. Customs such as these, which seem strange to us
today, lingered long in the Mediterranean mind.
Minoan palaces were not mighty and dominant like those in Egypt or
Sumeria. Rather, they functioned as the region's communal
administrative and religious centres, providing a place of work for
craftsmen, storage spaces for food and temples for goddess-worship.
One look at a model reconstruction of the palace at Knossos and you
can understand why Greek invaders might later imagine that the
corridors and irrigation channels resembled an impenetrable maze.
Like the traders of the Indus Valley and other European megalithic
people, the Minoans had their own form of symbolism which shows that
their civilisation was culturally and technologically advanced. In
1903, archaeologists excavating the palace of Phaistos, on the
southern side of the island, made a discovery which has had historians
baffled ever since.
The Phaistos Disc, currently on display at the archaeological museum
in Herakleion, Crete, is thought to date from some time between 1850
and 1600BCE. It contains 45 unique symbols arranged in a spiral shape,
resembling the swirls found on vases at Knossos, or even in European
megalithic tombs such as that at Newgrange in Ireland. No one really
knows who made the disc, or what the symbols mean, but it does show
that the people of Minoan Crete were artistic, prosperous and highly
ingenious.
Following excavations at a site called Akrotiri in 1967, the Minoans
are now known to have spread to the island of Santorini. There,
archaeologists have discovered the remains of a vast, ancient island
city which had been buried for thousands of years under thick layers
of volcanic ash. Although only the southern tip of the town has so far
been examined, houses three storeys high have been unearthed with fine
wall paintings, stone staircases, columns and large ceramic storage
jars, mills and pottery. Minoan Akrotiri even boasted a highly
developed drainage system, featuring the world's first known clay
pipes with separate channels for hot and cold water supplies.
A distinct pattern is discernible from the evidence that has been left
by these early civilisations. Stretching from the ancient Indus
Valley, right across the mountains of Anatolia, to the islands of the
Mediterranean and as far as the topmost island of Orkney in Scotland,
what emerges is a series of like-minded civilisations whose temples
and graves bear witness to a lifestyle of peace and a veneration for
mother nature. Their common belief in the continuous cycle of birth,
death and regeneration is personified by their worship of a mother
goddess in all her forms: snake, vulture, pregnant woman or moon.
Excellence in craftwork, technical skill and exquisite art are some of
their legacies, along with a spirit of natural equality. This was not
to continue. During the second millennium BC, the last of these early
civilisations fell. New power in the form of military might was
sweeping across Europe, the Middle East and Asia. Warriors had worked
out how to prey off the profits of others, ushering in an age when
human elitism, ruthlessness and terror had their true beginnings.
http://www.archaeologynews.org/story.asp?ID=392606&Title=The%20eterna....
and
http://tierneylab.blogs.nytimes.com/2008/07/30/a-fake-famous-disc/?ap...
and
http://www.minervamagazine.com/phaistos.asp
Hi, Jack !
I love your posts, but this time you made a mistake by quoting only
papers, which consider the Phaistos Disk as Minoan.
It's too bad that you didn't also quote a discussion I've had in this
Group in 2004 about the matter. So, I repeat it here :
The arguments in favour of a Minoan origin of the Phaistos Disk are of
two kinds :
1)- "The Phaistos Disk has been found in Crete. Therefore, it "must"
be Minoan".
It's obvious that such an argument has no value : Hittite tablets have
been found in Egypt, and Egyptian scarabs in Crete. Moreover, there
are STRONG reasons going against such an idea :
a)- In spite of EXTENSIVE diggings in Crete, NO other Disk has been
found. Such an isolation would be strange if the Disk was Minoan. It's
a normal thing if it has been IMPORTED.
b)- It has been shown that the clay of the Phaistos Disk was not
Cretan . (Research done at the beginning of the 20ies. Conclusion
mentioned by G. Glotz in "La Civilisation Egéenne" (p. 434): the
Disk's clay is NOT Cretan.
c)- the BAKING is not Minoan : NONE of the Minoan tablets have been
baked in an oven. They were burned by accident, into a fire.
d)- the use of stamps IN RELIEF is not Minoan. ALL the Minoan stamps
are "in hollow". There are ONLY TWO exceptions : 1)- The jug n° 14276,
decorated by stamping, with a stamp bearing the sign n°12. 2)- the
clay-sealing HM 992, made with a stamp corresponding to Sign n° 21.
The fact that the jug n° 14276 is the ONLY ONE of this kind amongst
hundreds of jugs found in Crete, and the fact that both exceptions
have been stamped with stamps in relief BEARING signs of the Phaistos
Disk, are STRONG REASONS for seing both items as IMPORTS, like the
Phaistos Disk itself, COMING from the same FOREIGN CULTURE.
e)- Several hieroglyphs of the Phaistos Disk cannot be Minoan, but
they belong to other Cultures.
e.g. sign n° 2 (Philistine Culture) -- Sign n° 6 (Ugarit and Mycenes)
-- Sign n° 12 ("People of the Sea") -- Sign n° 25 ( Keros-Syros
Culture) -- Etc.
2)- "The Arkalochori Axe has also been found in Crete. Its script "has
similarities to Linear A" and to the Phaistos Disk's script. Moreover,
it's "a typical Minoan double axe".
The argument is also without real value:
a)- The "double axe" was not only Minoan. It was also known in
Anatolia (See for instance the Legend of the Amazons).
b)- The votive offerings in the Arkalochori cave were not all
"Minoan". Some, like the "long swords" found with the axe, belonged to
the Philistine Culture.
c)- the script has NOTHING to do with Linear A : only ONE sign, out of
11, has a correspondent in Linear A (NA-sign).
d)- The script is not the same as the Phaistos Disk's script. In fact,
its most noticeable links are with the other "Proto-Philistine
Scripts", for instance with the "Dagger from Lachish" or the "Sherd
from Gezer" (See "Les Proto-Ioniens..." by Jean Faucounau, Fig. 28).
The CONCLUSION is obvious : there is no reason for seing in the
Phaistos Disk a Minoan artifact. On the contrary, it appears as an
IMPORT. And such has been the opinion of most scholars : A.Evans,
A.Reinach, G. Glotz, J. Chadwick, J. Faucounau, etc. to quote a few of
them.
And I will not mention that this view has been DEFINITELY confirmed by
the VERIFIED Proto-Ionic decipherment of the Phaistos Disk (See the
several papers and books (in French) of J. Faucounau.
My CONCLUSION : The worship of a mother Goddess is NOT ONLY "Minoan",
but belongs to several Ancient Cultures.
grapheus
.
- References:
- The eternal female: Worship of the mother goddess
- From: Jack Linthicum
- The eternal female: Worship of the mother goddess
- Prev by Date: Re: Building industry in recession, archaeologists lose jobs
- Next by Date: Neanderthals Different
- Previous by thread: The eternal female: Worship of the mother goddess
- Next by thread: Re: The eternal female: Worship of the mother goddess
- Index(es):
Relevant Pages
|
