Re: Is camera response needed for HDR based upon multiple exposures ?



On Oct 11, 6:28 am, haim <haimg...@xxxxxxxxx> wrote:
Hello,
In many papers it is suggested to recover first the non linear
responese f(E) of the camera prior to the blending of images with
different exposures. Given f, the inverse of f is estimated and the
mixing of the images is carried out in that domain. On the other
hand, many procedures to improve the dynamic range are based on
simple rules working on the original images without any estimtion of
f. Could somebody clarify that point ??
Haim

On Oct 11, 6:28 am, haim <haimg...@xxxxxxxxx> wrote:
Hello,
In many papers it is suggested to recover first the non linear
responese f(E) of the camera prior to the blending of images with
different exposures. Given f, the inverse of f is estimated and the
mixing of the images is carried out in that domain. On the other
hand, many procedures to improve the dynamic range are based on
simple rules working on the original images without any estimtion of
f. Could somebody clarify that point ??
Haim

No, can you provide links to those papers?

Linearity is practically only important for postprocessing. Some tone
mapping methods are visually insensitive to non linearity therefore
linearity can be neglected in those cases. Optimizing signal to
noise ratio is the important part and that is whatsome authors
apparently neglect.

I have recent experience (reinvented wheel) with that and my methods
will be incorporated into the next release of SAR Image Processor.

Stacking frames with different time exposures, by simple averaging,
maximizes signal to noise ratio under the assumption of an additive
white noise model with constant variance, and it is not necessary to
know the variance or f(E). Also, note that the signal varies beteen
pixels and this is also unimportant. As far as I know, the only
significant flaw of this model is that it does not take quantization
and multiplicative noise into account. However, I can tell you that
including quantization noise in the model would require knowing
variance of the additive white noise to optimize. A simply stacked
result will typically have a very non linear response (much worse than
f(E)) that looks very bad without further processing. My procedure
involves adjusting the histogram of the simply stacked result to match
that of a more linear, but, noisier image. You should be able to
invent your own ways of doing this.

.



Relevant Pages

  • Re: Why .avi format ?
    ... >exposure images over fewer long exposure images? ... There are many discussions about noise issues, just not a lot on this ... It is primarily readout noise that determines your S/N. ... Because of the short exposures, ...
    (sci.astro.amateur)
  • Re: Long exposure vs. multiple exposure
    ... There are different sources of noise in digital images. ... Readout noise occurs with every image however, and for short exposures is a ... With a digital camera, your options are much more limited. ...
    (sci.astro.amateur)
  • Re: D700 sample photos up to 25,600 ISO
    ... and thus the visual effect of the noise will be reduced. ... I've made 8 images, using a tripod mounted Nikon D3, and ... Number ISO Shutter Aperture Exposures ... Image 7886, with the camera ISO ...
    (rec.photo.digital.slr-systems)
  • Re: Euclidean distances in L*a*b* - problem!
    ... >store images in a perceptually uniform format. ... That statement may be true when storage costs are very high. ... many situations just as well afford 16-bit/ch linear storage. ... can only be understood in linear space. ...
    (sci.engr.color)
  • Re: Scientifically Based Presharpening for Enlargement
    ... Your starting images should be uncompressed and unsharpened. ... interpolation, which is familiar to many people, and doesn't ... You might address why the sharpening should be a preprocessing step. ... the sharpening is a linear filter, ...
    (sci.image.processing)