Re: Another pronounciation question - hotaru ga ike
- From: Paul D <paul@xxxxxxxxxxxxxxxxxx>
- Date: Sat, 2 Dec 2006 21:19:02 +0900
On 2006-12-02 06:12:55 +0900, "John R. Yamamoto-Wilson" <john@xxxxxxxxxxxxxxxxxxxx> said:
muchan wrote:
here "Stress pattern", seems me indicating you are hearing "Stress accent"
that doesn't significant in Japanese... that means, whatever you hear
as a speaker of a stress-accented-language, Japanese people don't care.
I have experienced the truth of what you say; it seems to make no difference to Japanese people whether I say, in terms of stress, A-rigatou, a-RI-gatou, ari-GA-tou or ariga-TOU, though they might find it odd if I said arigato-U (?).
And I think you are partly right; my ear does generally tend to register high pitch as carrying a stronger stress, and I do sometimes have difficulty hearing pitch properly.
I think this is common (and a problem) for native English speakers; our own language tends to pronounce stressed syllables at a higher pitch, so we hear non-existent stress depending on the pitch pattern of Japanese words.
The general rule for Japanese pitch, if I recall correctly, is that one key syllable in a word carries the accent*; and every syllable from the second one up till that one is "high", and after that is "low". This means that the pitch pattern of a word can change if it's turned into a compound word, because the second word can "pull up" the syllables of the first.
Example: I live near an intersection called Oshikiri. The "shi" seems to be the "key" syllable, so the stress pattern is LHLL. However, the nearby bus stop is called Oshikirichou. The "cho" in the added bit takes over as the key syllable, resulting in a new pattern: LHHHHL.
To my ears, at least. :)
* I'm ignoring the case where there is no accented syllable, such that the whole word from the second syllable onward is high, including the particle that follows.
Paul
.
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