Re: Vinca script, cross bar angle - Ki Ri Ke
- From: "Peter T. Daniels" <grammatim@xxxxxxxxxxxxxxxx>
- Date: Thu, 22 Jun 2006 13:56:41 GMT
Franz Gnaedinger wrote:
Peter T. Daniels wrote:
Yes, you like to use words in your own private sense. They're not
writing to anyone who studies writing carefully.
Funny that one says decipherment, one deciphers an early
writing, nobody does deletter, desyllable, de-hieroglyph,
de-logogram, de-pictogram an early message. Ciphers,
as you may know, are 1 2 3 ..., letters are a b c ...
I was writing in English, not German. I didn't mention Ziffern.
No, noting numbers is not a form of writing, it's ideography.
Noting numbers is a part of writing, as numbers are a part
of language. Year and years imply numbers, year is one
year, or a fraction of a year, for example half a year, while
years are several years, for example five years, or more
than one year, for example 1 1/2 years. How can you
separate numbers from language and writing. Just plain
impossible.
<one two three> or <eins zwei drei> is writing. <1 2 3> is ideography.
Knots in quipus are the latter, not the former.
This time your mind wandered after less than a line and a half -- years
have nothing to do with it.
No Babylonian tablet needs to be "deciphered" any more; the decipherment
was done well over 150 years ago. Mayan numerals could be read for
centuries before anyone even imagined that Maya writing was true writing
and not ideography to which the key was lost. Likewise, Egyptian
hieroglyphic numbers could be read for decades before Champollion
imagined that Egyptian writing was true writing and not ideography to
which the key was lost.
You are grasping now the meaning of deciphering, finding out
about language via numerals that can often be read more easily
than words? Which is why we speak of deciphering and not of
delettering, desyllabling, dehieroglyphing.
You do not have the slightest idea what you are talking about. Learn how
cuneiform, hieroglyphs, and Mayan were deciphered. (As it happens, the
best places to do so are my own publications.) Numerals were not
involved in the slightest in deciphering the scripts.
And neither numerals nor location glyphs for places belong to any
particular language.
Every language got numbers and place names, and they
surely are a part of language, and in noted form of writing.
<eins zwei drei> and <United States of America> and <Vereinigte Staaten>
are writing. <1 2 3> and a picture of an eagle clutching arrows and an
olive branch, or of an American flag, are not writing.
I've never claimed to have read D.O., and I've read Gimbutas's chapter
-- or rather, the chapter in her book that contains things she herself
never claimed.
You go on claiming that the chapter on the Sacred Script
is own to Joan Marler and not Marija Gimbutas? You have
owed
You changed your claim regarding the authorship of the articles you
previously attributed to Joan Marler, so I am not claiming Ms. Marler
wrote them, only that Prof. Gimbutas did not.
not even the shadow of a straw stalk of evidence for that
claim. Look up the publications by Joan Marler, none does
concern the Sacred Script of Old Europe, or Vinca script,
or Danube script, whatever. You are talking yourself out,
and you make me suspicious of your profession, as you
tell me that editors do such things, turn around opinions
of their authors, make them write things they don't mean.
I've warned you before about lying about me.
I said no such thing about "editors."
You are doing damage to your own profession, and yourself,
by going on in that kooky way of yours. Contact Joan Marler
and ask her about chapter 8 of The Civilization of the Goddess.
If gave you her e-mail address.
A correction: the name of the foremost expert on the Danube
or Vinca script is Harald Haarmann (with a double n, -mann).
Just looking at the pictures accomplishes nothing. You need to read the
text, also. Presumably it puts that site into the context of the other
sites of the same period.
I see, you can also judge that book without having much
as seen it, you won't look at the pictures of T-shaped
I don't happen to have an archeological library at my beck and call.
stone pillars, up to eight meters tall, weighing up to fifty
tons, decorated with reliefs of animals, and of hieroglyphs,
from 11 600 to 9 500 BP. Just irrelevant. As nearby but
younger Nevali Cori, as the many other not yet excavated
Azilian sites of that region. You don't know anything about it,
ergo it must be irrelevant, insignificant, unimportant. An early
I've warned you before about lying about me.
All I know about G.T. is that you think it was the origin of
civilization and that your nutty "language" was used there. I have no
opinion of it.
Greek philosopher (was it Parmenides?) called the human
being the measure of all things. If he lived today he might
add: ... and Peter T. Daniels is the measure of all things
irrelevant, unimportant, and not existing. What you don't
know does not exist, has no significance and importance.
You close the eyes and the world is gone. Game of a child,
played by an adult.
I ask again, what's special about that particular site, as opposed to
all the other sites from similar times and places?
What do you mean with "all the other sites from similar times
and places" ? There is not one other site that compares with
Goebekli Tepe, apart from the younger Nevali Cori, where
no pillars remain, and from unexcavated sites in the region.
Then you should either go to the library, or buy yourself another copy.
I already apologized a couple of times for my mistake.
The chapter on the Sacred Script is found in the book
The Civilization of the Goddess from 1991. Look up
that chapter. Marija Gimbutas, in her own voice, diction
and style calls the signs of Old Europe a Sacred Script
which anticipated the Sumerian invention of writing by
2,000 years.
And you'd better take a course in remedial reading. I tell you that *The
Language of the Goddess* contains nothing like what is in the first page
or so of that chapter in *The Civilization of the Goddess*, and you tell
me again and again to read that chapter.
Does _anyone_ find it possible to converse with you?
"Her" words in that chapter do not agree with anything she wrote over
the previous decades on the topic. It is therefore unlikely in the
extreme that she intended what that chapter says.
Many scholars reveal their dearest ideas and most far reaching
assumptions near the end of their carrier, when they have nothing
career
more to fear from the hounds of academe. And they are "her"
words, you nutcase of a conspiracy kook worth of talk.origins.
She had nothing to "fear." She was a highly respected archeologist and a
tenured professor at the University of California.
That's a typical polite response to nutcases who write to professors.
I know, but it can also be a serious reply, we shall see.
Then you'll deserve what you get. Look up the reviews of his book,
*Universalgeschichte der Schrift*. A while back he sent me, unsolicited,
a package of offprints, and he's just as wacky as the others.
I jdont care about reviews. I don't care, I don't care, I don't
care at all. I look at a book myself, I don't need reviews.
You are a writer of reviews, tells me enough.
Finally you admit that you are not interested in facts or accuracy.
Answer the question. What makes you think there is any legitimacy
whatsoever in comparing "languages" that are 10,000 years apart and
hundreds (or thousands?) of kilometers apart?
My experimental reconstruction of Magdalenian concerns
the Franco-Cantabrian space in around 15 000 BP. However,
the Magdalenians have been wandering widely, some spent
If you understood anything about human language, you would know that
peoples who "wander widely" no longer speak the same language, or even
similar languages, after a very short time. Look how different English
and German are, after well under 2000 years of separation. Yet you posit
identity of "language" between your (newly named) "Franco-Cantabrians"
and your "Magdalenians" of G.T.
winter in the region of Marseilles and summer in western
Switzerland where mammoths survived until 10,000 years
ago. The Magdalenian space extended until Austria and
Czechia and Hungary. By the end of the Ice Age, animals
retired from the Franco-Cantabrian space, making it ever
more difficult for the hunters. Magdalenian art ended
abruptly in around 12 000 BP. That was the time when
Magdalenians entered England via a landbridge, and
it must have been the time when they followed horses
eastward to the Eurasian steppes. The gap is only 400
years, between 12 000 BP (end of Magdalenian art
in the Franco-Cantabrian space) and 11 600, begin of
Goebekli Tepe. Agriculture started in the late phase of
Goebekli Tepe, at the base of the Karacadag, west of
Goebekli Tepe. In around 9 500 BP the temples of GT
were carefully filled up and abandoned, which means
that the culture of GT didn't really come to an end but
survived in a modified form, presumably in the Harran
plain just south of Goebekli Tepe. And there must have
been contacts between GT and the Natufian culture in
Judah, where, I read yesterday, agriculture began with
the cultivation of fig trees at Gilgal (if memory serves)
as early as 11 400 BP. The rest is well established
archaeology.
Mammoths are irrelevant. Land bridges are irrelevant. Precise dates like
11,400 are absurd. 600 years is enough to change the language of Chaucer
to the language of me.
And you haven't managed to get yourself even from 15,000 to 12,000
without changes to the "language," let alone to 5000 and Vinc^a.
--
Peter T. Daniels grammatim@xxxxxxx
.
- Follow-Ups:
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Franz Gnaedinger
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: John Atkinson
- Re: Vinca script, cross bar angle - Ki Ri Ke
- References:
- What in the world is 'Balkan-Danube script'?
- From: Doug Weller
- Re: What in the world is 'Balkan-Danube script'?
- From: Peter T. Daniels
- Re: What in the world is 'Balkan-Danube script'?
- From: Marco Pagliero
- Re: What in the world is 'Balkan-Danube script'?
- From: Peter T. Daniels
- Vinca script, cross bar angle - Ki Ri Ke
- From: Franz Gnaedinger
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Peter T. Daniels
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Franz Gnaedinger
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Peter T. Daniels
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Franz Gnaedinger
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Peter T. Daniels
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Franz Gnaedinger
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Peter T. Daniels
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Franz Gnaedinger
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Peter T. Daniels
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Franz Gnaedinger
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Peter T. Daniels
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Franz Gnaedinger
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Peter T. Daniels
- Re: Vinca script, cross bar angle - Ki Ri Ke
- From: Franz Gnaedinger
- What in the world is 'Balkan-Danube script'?
- Prev by Date: Spanish "casi"
- Next by Date: Re: "Paleofonts V. 2" - Freeware paleographical fonts
- Previous by thread: Re: Vinca script, cross bar angle - Ki Ri Ke
- Next by thread: Re: Vinca script, cross bar angle - Ki Ri Ke
- Index(es):