Re: some more Irish vowels
- From: "Peter T. Daniels" <grammatim@xxxxxxxxxxx>
- Date: 12 Dec 2006 06:22:27 -0800
Ekkehard Dengler wrote:
"Peter T. Daniels" <grammatim@xxxxxxxxxxx> wrote in message
news:1165901881.349199.8360@xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Burning" --
Ekkehard Dengler wrote:
"Peter T. Daniels" <grammatim@xxxxxxxxxxx> wrote in message
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Ekkehard Dengler wrote:
"Peter T. Daniels" <grammatim@xxxxxxxxxxx> wrote in message
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McCormick
Ekkehard Dengler wrote:
"Peter T. Daniels" <grammatim@xxxxxxxxxxx> wrote in message
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Out of curiosity, I picked up an Ivor Novello album, and John
sings (beautifully, of course) "Keep the Home Fires
asbut he
doesn't rhyme "yearning" with "burning"! "Burning" has myrrh,
alikeexpected, but "yearning" has Mary!
Many Irish people pronounce non-prevocalic "ir/yr" and "ur"
have nowhile
though;keeping "er/ear" distinct. I don't think "yearning" has "Mary",
bothI
would say it has the "dress" vowel (or "merry", if you like).
In the northwest (and possibly in other parts of the country),
non-prevocalic "ar" has a much closer vowel than "trap", so that
"hard"
and "heard" can sound like [hErd].
Again, because merry and Mary are perfectly distinct for me, I
anything,trouble identifying which is used in McC's "yearning."
Judging by http://www.aftermathww1.com/homefires.asp, you've simply
misidentified McCormack's "merry": [jE::rnIN] = /jErnIN/. If
Irishthe
first vowel in "yearning" is slightly lower than that in "glen".
Glen is merry.
McC's yearning is Mary.
No, you're mistaken -- and apparently reluctant to admit it. You've only
just found out that "burn" and "yearn" don't rhyme in one particular
speaker'saccent and here you are defending your preconceived idea of the
wouldphonology. You clearly don't know what you're talking about. "Mary"
thatnot have [E], and you can't have misheard lowish [E] as [e]. Listen to
recording again or try listening to an Irish radio station.
I am not mistaken; you are extremely confused.
I made the simple observation that in that recording of that song,
"yearning" does not rhyme with "burning" (which must have come as a
surprise to the lyricist), and "yearning" is sung with the Mary vowel.
The Mary vowel that is discussed ad infinitum in aue and slightly less
often here.
The exact meaning of "the 'Mary' vowel" obviously depends on which variety
of English you're talking about.
No, in the context of these newsgroups (not that I crossposted to aue),
Mary is a label for a certain quality of vowel, for which there may or
may not be a "cardinal number" or an "IPA transcription" (for which I
have asked many, many times, and no one has ever provided one).
The term refers to a lexical set, not to
particular realisations of a phoneme, the quality of the vowel varying of
course from accent to accent. The only problem is that you're unfamiliar
with typical realisations of the vowel in Irish English.
No, it does not. That I am unfamiliar with "typical realizations" is
why the non-rhyme of "burning" and "yearning" came as a surprise.
I said nothing about the quality of the vowel used in the word "Mary"
in early-20th-century Irish English. I have no way of knowing whether
McC used the same vowel in "Mary" and in "yearning." I only know that
on that day, McC used the Mary vowel in "yearning."
I know that that's what you claim, but you're wrong. McCormack did not use
the same vowel in "yearning" as he would have in "Mary". The "Mary" vowel
wouldn't have been realised as [E].
Once again, I am not concerned with McC's pronunciation of "Mary." I
observed only the fact that his "yearning" vowel is the vowel
conventionally known as Mary.
As in "Mary is not marry is not merry" (and, in this case, "is not
myrrh").
.
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