Re: Sine wave construction using calculous or some approximation thereof - question.
- From: "Randy Poe" <poespam-trap@xxxxxxxxx>
- Date: 16 Feb 2006 15:42:15 -0800
jhuie wrote:
Interesting. I've been looking at some of the examples and it's
fascinating. The main reason I've been curious is because I thought
you could make up and function from a series of smaller (lower
amplitude) waves. But I'm not sure that's true by looking at the
examples.
Because "adding up small waves to make big waves" is
not what Fourier series is all about. What Fourier series says
is that a wave with one frequency, no matter what the shape,
is made up mostly of a "fundamental" low frequency plus
harmonics.
Synthesizers (electronic music) use this principle. If you
want to make the sound of a trumpet blowing A 440 Hz,
first you start with a sine wave of 440 Hz, then add the
right amounts of 880 Hz, 1320 Hz, 1760 Hz, etc (all
multiples of 440). There's more they do to it these days
to make it sound more realistic, but that's the basic idea.
But probably that first 440 Hz sine wave is just about as
loud as the total sound you want to put out.
In terms of an example, say you had 1,000 tiny speakers. Could you
some how arrange those and control them with a computer so that they
"add up" to create the sound of one large speaker?
Yes, sort of. You could arrange things so that at certain
places the sounds added up in phase in what is called
"constructive interference", like here:
http://scienceworld.wolfram.com/physics/ConstructiveInterference.html
So it would be very loud in some places. But what happens
then is it is very quiet in other places.
Could you somehow
approximate a very low note from a combination of speakers that
individually can only produce high notes? See where I'm going with
this?
I don't. Neither Fourier series nor constructive interference
talks about using higher frequencies to make lower ones. Note
that in my trumpet example, I used 440 Hz (plus other stuff) to
make 440 Hz. And in the constructive interference example,
identical signals are adding up to make a larger version of
the same signal, all at the same frequency.
Someone else has suggested using the phenomenon of
"beats", which produces low frequencies from higher ones.
- Randy
.
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