Some more Iranian music :-)

Ok, so again I got an hour or so to spend
kicking your notoriuosly stupid asses around.
To put some life into your dead heads, you
miserable little lost souls of this hellhole :-)

Some time back I posted a sample of Iranian
classical music and then later sent another
post describing and explaining (to a limited
extent of course) the Iranian music and its
organization. Here I have another sample for
you. The links to the six-part Performance are
given at the bottom of this message. It's a
two-singer piece more recently performed than
the previous one I posted (same singer). By the
way, the link for that previous one and the one
about Iranian classical music itself are: (for
those who did not see them)

(music sample)
http://groups.google.com/group/sci.physics/msg/e6ae3ef6f30a861e?dmode=source

(about Iranian music)
http://groups.google.com/group/sci.physics/msg/3e980a43c798c7cf?dmode=source

Before you listen to it I should add that the
particular Workshop this Performance is carried
out is a specially poignant one often to
describe and express something about your
feelings that I have to only give you an
example to understand. Imagine the intense and
varied sequence of feelings that follow, when
an extremely dear and rare person (or event, or
concept, or ... you name it) happened to
suddenly visit you for a short wonderful period
and now has again happily gone away, never to
come back. The Workshop provides you with the
tools to express your ups and downs you'll
experience in time, starting from the point of
that departure. It is not quite "loss" because
the experience itself has been a positive one
of course. Or "regret" (because you didn't do
anything wrong). But the emptiness that follows
in the wake of departure of so precious a thing
for you, is not quite a happy one either. It is
not even an "emptiness" because experience has
been rich to the fullest extent of the word.

Also while watching the Performance do not get
distracted by the facial expressions of the
singers, as a good part of them is the result
of difficulty in singing some of the harder
parts themselves, and not the mood in which the
song is pacing its way at the moment. Some
Corners and Moods are indeed quite positive
ones as opposed to expression of discomfort on
singers' faces. A few Corners even are to be
sung with smiles on the face. In practice this
is only possible when one is murmuring the
song, and not singing it outloud for public.
When you're singing it you'll look as if an
elephant has sitten on you :-) Another thing to
mention is that the mood sequence expressed in
the music is either in real time or is in
slowed time to different degrees to express
everythign that there is in there, and never
simulated to cover days or weeks, but minutes
or a couple of hours at the most, following
that "departure".

Again, exercise patience, it is a long piece
going over many Moods and Corners within them.
Unfortunately the Dance Moods ("raghs") of the
performance are suppressed for silly
"Islam"-attributed rules in Iran of these days,
but the music does go over the raghs parts as
well, without us seeing any professional dancers
pouring in the scene and do the Dance. That
should remain until the bulk of the population
in Iran open up and grow in their hidden rich
inner possessions and potentials. Right now
they have other priorities. Enjoy.

(part 1)
http://www.youtube.com/watch?v=dFiZEl_jQLw&feature=related
(part 2)
http://www.youtube.com/watch?v=eaumgNxlJwo&feature=related
(part 3)
http://www.youtube.com/watch?v=9JH5Z4hWVwk&feature=related
(part 4)
http://www.youtube.com/watch?v=l7kYZ34Lgag&feature=related
(part 5)
http://www.youtube.com/watch?v=tQQEC7XQPgw&feature=related
(part 6)
http://www.youtube.com/watch?v=dAoyu5vL2bw&feature=related

--

"ruzeye bi namAz."
.