Re: The Ethics of Image-Making in Science



No digitally signed RAW format is ideal. But it adds an additional hurdle to busy science teams, which find themselves under too much pressure. Such a hurdle could "automatically" discourage them from trying to fudge their image data. A mere possible request by the editor to show unmodified data might already be a sufficient deterrent.
 
A RAW standard has already been proposed by Adobe. And digital signature technology works rather well. Of course people could still create a RAW image from JPEG or TIFF data, as you pointed out. But without piping the data back into the FW of a digital camera, they won't obtain the correct digital signature.
 
I would love to see great integrity in science. But what I was reading in the science papers (e.g. Physics Today) about the ethics in science (and the lack thereof) is rather troubling. I don't think we "deserve" such science.
 
Gregor
 
A terrific idea. However, there is no current standard for RAW formats among the various camera manufacturers. This means that an arbitrary RAW image might not be readable by any of the popular photo and image management software systems. And, of course, it is always possible to take a TIFF image or even a  compressed format like JPEG, JPEG2000, etc. and convert it into a RAW format that is indistinguishable from an original.
 
Benjamin Franklin once said that people get the government they deserve (an observation that is very appropriate for us today, I might add). But, without integrity we will get the science we deserve!
 
Earl
 

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E a r l  C o x
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AUTHOR:
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> This is correct. In the past, people could perform magic with silver-based
> materials. But a lot of skills were needed to modify a silver-based image
> without making it look too obvious. Today, with tools like Photoshop, an
> image can be manipulated so easily that many grad students under time
> pressure could (but hopefully do not!) "fix up" an image for publication.
>
> I believe that digital camera makers must incorporate the production of a
> digitally singned RAW image, which preserves the RAW information. Then this
> material must be presented to the editor together with the images for
> publication. The referees  must then decide if the images are acceptable for
> publication in a scientific journal.
>
> Remember, a picture speaks a thousand words. At least, the editor must
> ensure that the picture is most likely telling the truth. By this immense
> flood of scientific papers, we cannot assume that we only deal with
> "reputable" scientists. "Vertrauen ist gut, Kontroller ist besser!" seems to
> be more prudent. Too much depends on a new lucrative research grant, a
> condition that might lead to temptation.
>
> Gregor
>
>
> "jacques jedwab" <
jjedwab@xxxxxxxxx> wrote in message
>
news:jjedwab-2204051715000001@xxxxxxxxxxxxxxxxxxxxxx...
> > In article <
hUZ9e.1815$Xb4.1@xxxxxxxxxxxxxxxxxxxxxxxxxx>, "GTO"
> > <
gregor_o@xxxxxxxxxxxxxxx> wrote:
> >
> >> If you have access to the magazine called Nature, you might find the
> >> following article worth reading:
> >>
> >> Helen Pearson, CSI: cell biology, Nature Vol 434, p. 952-953 (2005).
> >>
> >> The abstract of this paper:
> >> "Digital photography and image-manipulation SW allow biologists to tweak
> >> their data as never before. But there's a fine line between acceptable
> >> enhancements and scientific misconduct."
> >>
> >> I think it is time that also the people in charge of the Nikon Small
> >> World
> >> Competition employ some of the measures mentioned in this article. The
> >> danger of using Photoshop to extensively "tweak" an image is all around
> >> us.
> >>
> >> Gregor
> >
> > Faked photographs on silver-based materials are as old as photography.
> >
> > Data "enhancement", "manipulation", "statistical selection and
> > highlighting" are not new. Petrologists (and biologists?) exchange their
> > grass-root microscopical slides since long ago, and will continue to do so
> > in the future. A reputable scientist will not (or very seldom) put his/her
> > carrier at risk, when knowing that a colleague or a reviewer could ask for
> > the original material.
> >
> > J.J.
>
>


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